He probably belonged to the fourth generation of Flemish polyphonists - that of musicians such as Adrian Willaert, Nicolas Gombert, Clemens non Papa and Cipriano de Rore - Josquin (or Johannes?) Baston was one of many mysterious figures in sixteenth-century music history. Nothing is known about when and where he was born or died, and even his first name is much disputed. Many of his compositions appeared in printed anthologies alongside those of some of the most important musicians of the first half of the sixteenth century, such as Josquin Desprez and Orlande de Lassus. If the famous printers Tielman Susato and Pierre Phalèse included Baston's work among such giants of Flemish Renaissance polyphony, they must have regarded him as an excellent composer. Whether Josquin Baston remained in his native region, or whether he was the same person as the Joannes Baston who was active in Vienna, Poland and Scandinavia, will remain an open question.
This recording of chansons and motets by Josquin Baston explores the fascinating world of the Flemish style in the mid-sixteenth century through the work of a very important, but largely forgotten composer.
*If you make a purchase through the above link, we receive a small commission. This allows us to continue providing you with reviews and articles. By buying something through our link, you support us in writing new articles. Products will never cost you more if you use our links.
Songs of the mysterious polyphonist Josquin Baston
by Helena Gaudeus August 3, 2022