Under the acronym G.O.M.P., cellist Luca Pincini presents a solo program whose unifying thread is the space between people and sounds as experienced in the cinema, where nuances of affection, anticipation, and memory emerge close to silence. Two of the works presented here are based on the idea that it is precisely the "in-between" that preserves the density of meaning, and that the cello, with its voice resembling human breath, can transform this into sound material. From Philip Glass's austere concentration and Michiru Ōshima's clarity to Ennio Morricone's sound laboratory and the introverted "Au revoir," a composition by the cellist.