On this impressive recording, Daniel Müller-Schott combines virtuosic cello artistry with a deeply personal sonic journey. Together with Irina Zahharenkova and Anderson Fiorelli, he breathes new life into masterworks by Johann Sebastian Bach, Antonio Vivaldi, Francesco Geminiani, and Luigi Boccherini – performed on his mother's historic harpsichord, whose sound has accompanied him since childhood. The works unfold a fascinating blend of Baroque elegance, emotional warmth, and technical brilliance. Each interpretation speaks to connection, nostalgia, and the timeless power of music. An album that touches the heart: authentic, poetic, brimming with Baroque radiance. Daniel Müller-Schott is one of the most sought-after cellists of our time, performing on the world's most prestigious concert stages. Together with conductor Wilson Hermanto, Daniel Müller-Schott founded the Vevey Spring Classic Festival, which will celebrate its fifth edition in 2026. He is regularly invited to major international music festivals, where he performs alongside renowned fellow musicians. His repertoire ranges from Baroque to contemporary works, including concerti specially composed for him by Sir André Previn, Peter Ruzicka, and George Alexander Albrecht. He is also involved in music education, giving master classes and participating in the "Rhapsody in School" initiative to inspire young musicians. Müller-Schott's discography comprises more than thirty acclaimed recordings. Estonian pianist and harpsichordist Irina Zahharenkova performs regularly throughout Europe and Asia – in both piano and harpsichord recitals. Brazilian cellist Anderson Fiorelli currently resides in Munich and combines an active international concert schedule with his teaching activities. He regularly performs with renowned ensembles. During his studies, he earned two master's diplomas from the University of Music and Theater in Munich: in historically informed performance practice with Kristin von der Goltz and in chamber music with Wen Sinn Yan and Friedemann Berger.





