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Kaffee-Kantate

Ton Koopman / Amsterdam Baroque Orchestra & Choir

Label
Challenge Classics
Numéro de catalogue
CC 72280
EAN / code-barres
0608917228021
Date de sortie
31 janvier 2008
Bach composed these three secular cantatas at very different stages in his career and they were also performed in different venues. The Italian chamber cantata "Amore traditore" BWV 203, written ca.1720 in Cöthen for solo bass and concertato harpsichord, is an extraordinary showpiece for two outstanding virtuosos. The other two works, from Bach's Leipzig period, are both humorous in character. The so-called 'coffee cantata' BWV 211, ca.1734, was scored for three vocal soloists and a small chamber group of transverse flute, strings, and continuo. Well suited for a performance in a coffee house, it is also moral cantata because the little dramatic scene addresses the issue of excessive consumption of coffee, at the time a luxurious commodity. The 'peasant cantata' BWV 212, from 1742, is the last secular cantata known to have been composed by Bach. It was commissioned for a celebratory occasion at a country estate outside of the city of Leipzig. Subject is a serenade offered bythe peasant folks greeting their master, the new occupant of the mansion. It is scored for Soprano and Bass, horn, flute, strings, and continuo. The text is written in Upper Saxon dialect. Renowned Bach specialist Ton Koopman (1944) was awarded the 2006 Bach Medal by the city of Leipzig 05 Jun 2006, the final day of this year's annual Leipzig Bach Festival. The award honors the significant contribution of the 61-year-old Dutchman to Bach performance and scholarship. Koopman performed at the festival, which is run in conjunction with the Bach-Leipzig Archive, with the Amsterdam Baroque Orchestra. He studied organ (Simon C. Jansen), harpsichord (Gustav Leonhardt) and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra (founded 1979) & Choir (1993) he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Theatre des Champs-Elysées in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center in New York, and leading concert halls in Vienna, London, Berlin, Brussels, Sydney, Melbourne, Madrid, Rome, Salzburg, Tokyo and Osaka. Ton Koopman edited the complete Handel Organ Concertos for Breitkopf & Härtel and will edit a number of Buxtehude works for Carus Verlag. He is president of the International Dieterich Buxtehude Society. He recorded a.o. for Erato, Teldec, Sony, Philips and DGG. In 2003 he created Antoine Marchand, his own sub-label of Challenge Records. Here he publishes these Complete Bach Cantatas, as well as his other recent and future recordings. "Schweigt stille plaudert nicht" BWV 211
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Liste des pistes

  1. 01 Schweigt stille, plaudert nicht, BWV 211: Recitative (Tenor): “Schweigt stille, plaudert nicht” 00:40
  2. 02 Schweigt stille, plaudert nicht, BWV 211: Aria (Bass): “Hat man nicht mit seinen Kindern” 02:37
  3. 03 Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Du böses Kind, du loses Mädchen” 00:41
  4. 04 Schweigt stille, plaudert nicht, BWV 211: Aria (Soprano): “Ei! wie schmeckt der Coffee süße” 04:38
  5. 05 Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Wenn du mir nicht den Coffee läßt” 01:21
  6. 06 Schweigt stille, plaudert nicht, BWV 211: Aria (Bass): “Mädchen, die von harten Sinnen” 02:34
  7. 07 Schweigt stille, plaudert nicht, BWV 211: Recitative (Soprano, Bass): “Nun folge, was dein Vater spricht” 00:57
  8. 08 Schweigt stille, plaudert nicht, BWV 211: Aria (Soprano): “Heute noch, lieber Vater tut es doch” 06:20
  9. 09 Schweigt stille, plaudert nicht, BWV 211: Recitative (Tenor): “Nun geht und sucht der alte Schlendrian” 00:54
  10. 10 Schweigt stille, plaudert nicht, BWV 211: Chorus (Soprano, Tenor, Bass): “Die Katze läßt das Mausen nicht” 04:02
  11. 11 Mer hahn en neue Oberkeet, BWV 212: Sinfonia 02:10
  12. 12 Mer hahn en neue Oberkeet, BWV 212: Aria. Duetto (Soprano, Bass): “Mer hahn en neue Oberkeet” 00:30
  13. 13 Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass, Soprano): “Nu, Mieke, gib dein Guschel immer her” 00:51
  14. 14 Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Ach, es schmekt doch gar zu gut” 00:49
  15. 15 Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Ter Herr ist gut: Allein der Schösser” 00:23
  16. 16 Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Ach, Herr Schösser, geht nicht gar zu schlimm” 01:21
  17. 17 Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Es bleibt dabei, daß unser Herr der beste sei” 00:22
  18. 18 Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Unser trefflicher lieber Kammerherr” 01:41
  19. 19 Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Er hilft uns allen, alt und jung” 00:34
  20. 20 Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Tas ist galant” 00:59
  21. 21 Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Und unsre gnäd’ge Frau” 00:43
  22. 22 Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Fünfzig Taler bares Geld” 00:54
  23. 23 Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Im Ernst ein Wort!” 00:27
  24. 24 Mer hahn en neue Oberkeet, BWV 212: Ario (Soprano): “Klein-Zschocher müsse so zart und süße” 05:50
  25. 25 Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Das ist zu klug vor dich” 00:19
  26. 26 Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Es nehme zehntausend Dukaten” 00:41
  27. 27 Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano): “Das klingt zu liederlich” 00:20
  28. 28 Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Gib, Schöne, viel Söhne” 00:36
  29. 29 Mer hahn en neue Oberkeet, BWV 212: Recitative (Bass): “Du hast wohl recht” 00:16
  30. 30 Mer hahn en neue Oberkeet, BWV 212: Aria (Bass): “Dein Wachstum sei feste” 05:11
  31. 31 Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Und damit sei es auch genung” 00:22
  32. 32 Mer hahn en neue Oberkeet, BWV 212: Aria (Soprano): “Und daß ihr’s alle wißt” 00:38
  33. 33 Mer hahn en neue Oberkeet, BWV 212: Recitative (Soprano, Bass): “Mein Schatz! erraten” 00:30
  34. 34 Mer hahn en neue Oberkeet, BWV 212: Coro (S, B): “Wir gehn nun, wo der Dudelsack” 01:05
  35. 35 Amore traditore, BWV 203: Aria (Bass): “Amore traditore” 06:07
  36. 36 Amore traditore, BWV 203: Recitative (Bass) 00:42
  37. 37 Amore traditore, BWV 203: Aria (Bass): “Chi in amore ha nemica la sorte” 06:24

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