Amanti - Cantatas for Bass
Sergio Foresti
- Label
- Challenge Classics
- Catalogue number
- CC 72894
- EAN / barcode
- 0608917289428
- Release date
- 4 November 2021
- Type
- Album
More info
In the Italian society of the early eighteenth century, the musical genre of the chamber cantata was popular as a refined form of entertainment. The chamber cantata is a relatively short composition, consisting of a couple of arias with the addition of one or two recitatives. They were performed in the private ambiances of the noble circles. A performance just needed the instruments of the basso continuo (harpsichord, cello, and if wanted for example a lute) and of course an excellent voice. The Venetian composer Benedetto Marcello (1686-1737) was one of the most prolific composers of the genre, especially in his early years between 1710 and 1720. He wrote approximately 300 cantatas of which over 20 for the bass voice. This is an exceptionally high number. The composer strived to achieve a perfect harmony between poetry and music. As such, his cantatas were an invaluable laboratory for his famous Psalms. These were admired by great composers like Rossini, Bizet, Verdi, and Chopin. Verdi especially appreciated Marcello's recitatives. The present recording offers five chamber cantatas of Marcello for the bass voice. All the cantatas of this recording are in RARA form (Recitative-Aria-Recitative-Aria) and the arias regularly have the da capo form. The recitatives are often unpredictable in their harmonic solutions. Like most of Marcello's cantatas, they treat the subject of love. But the lovers are not happy. They struggle with the all too human complexity of love: feelings of rejection, sadness, jealousy, hope, and mourning. Their thoughts and feelings are intended to stimulate personal reflection. For Sergio Foresti and his colleagues it was a great joy to explore this music together with its complex feelings and nuances. In the spirit of Benedetto Marcello they seek to express the words and meaning of the text in these virtuosic and beautiful compositions. Click here for the booklet with Italian, German and French translations.
Tracklist
- 01 Udite, amanti SF A356: Recitative: Udite amanti 01:59
- 02 Udite, amanti SF A356 : Aria (Adagio): Pena più cruda e ria 05:20
- 03 Udite, amanti SF A356: Recitative: Credei che il mio sincero 01:25
- 04 Udite, amanti SF A356 : Aria (Tempo giusto): Si disciolga quell’empia catena 03:54
- 05 Che io viva in tante pene SF A55: Recitative: Che io viva in tante pene 01:46
- 06 Che io viva in tante pene SF A55: Aria (Sostenuto adagio): Basta dir 05:38
- 07 Che io viva in tante pene SF A55: Recitative: È ver che, accesa d’amoroso foco 01:25
- 08 Che io viva in tante pene SF A55: Aria: Se a far pago 04:03
- 09 Quanta pietà mi fate SF A278: Recitative: Quanta pietà mi fate 01:22
- 10 Quanta pietà mi fate SF A278: Aria (Andante): Privo allor delle ruggiade 07:04
- 11 Quanta pietà mi fate SF A278: Recitative: Ma quanto, o dio! di voi 01:18
- 12 Quanta pietà mi fate SF A278: Aria (Lento): Piangete al pianto mio 10:27
- 13 Lungi, speranze SF A182: Recitative: Lungi, speranze 01:18
- 14 Lungi, speranze SF A182: Aria (Andante): Nel mio cor 03:03
- 15 Lungi, speranze SF A182: Recitative: Giurò, giurò quell’empia 01:11
- 16 Lungi, speranze SF A182: Aria (Largo): Sento già nel mezzo al mio core 09:41
- 17 Poiché fato inumano SF A252: Recitative: Poiché fato inumano 01:45
- 18 Poiché fato inumano SF A252: Aria (Adagio): Luci belle 04:50
- 19 Poiché fato inumano SF A252: Recitative: Questa che mi divide 01:44
- 20 Poiché fato inumano SF A252: Aria (Allegro): Come scoglio che l’onda disprezza 03:25
Source: MusicBrainz
Also on Challenge Classics
Improvised Bach
Víctor García García
La Dolce Stravaganza
Thomas Triesschijn & The Counterpoints
Symphony No. 10
Janáček Philharmonic Orchestra, Daniel Raiskin
Piano Concertos
Severin von Eckardstein, Poznań Philharmonic Orchestra, Łukasz Borowicz