Solo II
Tabea Zimmermann
- Label
- Myrios Classics
- Catalogusnummer
- MYR 026
- EAN / barcode
- 4260183510260
- Verschijningsdatum
- 1 oktober 2020
- Type
- Album
“We need Bach’s music, regardless of the instrument” – Tabea Zimmermann Ten years after her acclaimed album “Solo” with the first two cello suites of Johann Sebastian Bach, violist Tabea Zimmermann now sets her sights on Suites Nos. 3 and 4. She pairs them with excerpts from György Kurtág’s cycle “Games, Signs & Messages”, selecting six numbers to form her own personal homage to Bach. For what kind of instruments did Bach write his solo suites BWV 1007-1012? How did they sound, what did they look like? This subject still gives rise to much speculation. Johann Peter Kellner’s manuscript copy from the early 1700s is one of the two main sources for the six solo suites, and it indicates a viola basso. The violoncello had not yet become standardized in terms of size, construction, and playing technique; Bach probably had instruments in mind such as the violoncello piccolo or the viola da spalla. The latter was a viola attached in front of the body by a strap: Bach performed the viola da spalla in public himself – possibly these suites. Tabea Zimmermann has not switched her musical hardware for this recording: here she plays her 1980 Vatelot viola with a classical bow. In 2009, the album “Solo” (MYR003) launched Tabea Zimmermann’s collaboration with the myrios classics label. The release was crowned with a multitude of international awards: Gramophone Editor’s Choice, “Stern des Monats” in Fono Forum, 4f in Télérama and 5 Stars in the Italian magazine Musica; moreover, in response to that groundbreaking recording, the jury of the coveted German ECHO Klassik Prize selected Tabea Zimmermann as “2010 Instrumentalist of the Year”.
Tracklist
- 01 Suite for Solo Violoncello no. 3 in C major, BWV 1009: I. Prelude 03:04
- 02 Suite for Solo Violoncello no. 3 in C major, BWV 1009: II. Allemande 03:15
- 03 Suite for Solo Violoncello no. 3 in C major, BWV 1009: III. Courante 02:43
- 04 Suite for Solo Violoncello no. 3 in C major, BWV 1009: IV. Sarabande 03:30
- 05 Suite for Solo Violoncello no. 3 in C major, BWV 1009: V. Bourrée I – Bourrée II 03:24
- 06 Suite for Solo Violoncello no. 3 in C major, BWV 1009: VI. Gigue 02:52
- 07 Jelek, játékok és üzenetek for Solo Viola: Panaszos nóta 02:23
- 08 Jelek, játékok és üzenetek for Solo Viola: Kromatikus feleselős 01:17
- 09 Jelek, játékok és üzenetek for Solo Viola: Doloroso – Garzulyéknak 01:45
- 10 Jelek, játékok és üzenetek for Solo Viola: Népdalféle 00:45
- 11 Jelek, játékok és üzenetek for Solo Viola: …eine Blume für Tabea… 01:01
- 12 Jelek, játékok és üzenetek for Solo Viola: In Nomine - all'ongherese 05:08
- 13 Suite for Solo Violoncello no. 4 in E-flat major, BWV 1010: I. Prélude 03:54
- 14 Suite for Solo Violoncello no. 4 in E-flat major, BWV 1010: II. Allemande 04:02
- 15 Suite for Solo Violoncello no. 4 in E-flat major, BWV 1010: III. Courante 03:14
- 16 Suite for Solo Violoncello no. 4 in E-flat major, BWV 1010: IV. Sarabande 03:38
- 17 Suite for Solo Violoncello no. 4 in E-flat major, BWV 1010: V. Bourrée I – VI. Bourrée II 04:29
- 18 Suite for Solo Violoncello no. 4 in E-flat major, BWV 1010: VII. Gigue 02:22
Bron: MusicBrainz
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