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Complete Bach Cantatas Vol. 22

Ton Koopman / The Amsterdam Baroque Orchestra & Choir

Label
Challenge Classics
Catalogusnummer
CC 72222
EAN / barcode
0608917222227
Verschijningsdatum
30 juli 2006
Aantal cd's
3
Between 1999 and 2004, Koopman, a conductor, musicologist, organist, and harpsichordist, recorded the complete cantatas by Johann Sebastian Bach with the Amsterdam Baroque Orchestra and Choir, which he founded in 1979. This twenty-second and last volume of cantata recordings contains two of Bach's latest cantatas (BWV 30 and 80), including the secular model for BWV 30 and Wilhelm Friedemann Bach's arrangement of two movements from BWV 80 dating from after 1750. Also included are the four Kyrie-Gloria masses of the late 1730s; they are very closely associated with the cantata repertoire of the 1720s. These masses are based on selected movements of cantatas dating from the period 1723-6; after an interval of ten or so years Bach reworked them, in most cases very thoroughly. Renowned Bach specialist Ton Koopman (1944) was awarded the 2006 Bach Medal by the city of Leipzig 05 Jun 2006, the final day of this year's annual Leipzig Bach Festival. The award honors the significant contribution of the 61-year-old Dutchman to Bach performance and scholarship. Koopman performed at the festival, which is run in conjunction with the Bach-Leipzig Archive, with the Amsterdam Baroque Orchestra. He studied organ (Simon C. Jansen), harpsichord (Gustav Leonhardt) and musicology in Amsterdam and was awarded the Prix d'Excellence for both instruments. As an organist he has performed on the most prestigious historical instruments of Europe, and as a harpsichord player and conductor of his Amsterdam Baroque Orchestra (founded 1979) & Choir (1993) he has been a regular guest at venues which include the Concertgebouw in Amsterdam, the Theatre des Champs-Elysees in Paris, the Philharmonie in Munich, the Alte Oper in Frankfurt, the Lincoln Center in New York, and leading concert halls in Vienna, London, Berlin, Brussels, Sydney, Melbourne, Madrid, Rome, Salzburg, Tokyo and Osaka. Ton Koopman edited the complete Handel Organ Concertos for Breitkopf & Härtel and will edit a number of Buxtehude works for Carus Verlag. He is president of the International Dieterich Buxtehude Society. He recorded a.o. for Erato, Teldec, Sony, Philips and DGG. In 2003 he created Antoine Marchand, his own sub-label of Challenge Records. Here he publishes these Complete Bach Cantatas, as well as his other recent and future recordings.
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Tracklist

  1. 01 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a - Instrumental 01:38
  2. 02 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 04:25
  3. 03 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 02:03
  4. 04 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 03:40
  5. 05 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 01:45
  6. 06 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 05:00
  7. 07 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a - Instrumental 01:12
  8. 08 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 00:55
  9. 09 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 05:31
  10. 10 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 03:10
  11. 11 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a 02:43
  12. 12 "Auf, schmetternde Töne der muntern Trompeten" BWV 207a - Instrumental 01:41
  13. 13 "Weichet nur, betrübte Schatten" BWV 202 06:22
  14. 14 "Weichet nur, betrübte Schatten" BWV 202 00:26
  15. 15 "Weichet nur, betrübte Schatten" BWV 202 03:09
  16. 16 "Weichet nur, betrübte Schatten" BWV 202 00:41
  17. 17 "Weichet nur, betrübte Schatten" BWV 202 02:37
  18. 18 "Weichet nur, betrübte Schatten" BWV 202 00:44
  19. 19 "Weichet nur, betrübte Schatten" BWV 202 04:08
  20. 20 "Weichet nur, betrübte Schatten" BWV 202 00:22
  21. 21 "Weichet nur, betrübte Schatten" BWV 202 01:40
  22. 01 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Chorus: "Schleicht, spielende Wellen, und murmelt gelinde" 06:39
  23. 02 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Recitative (Bass): "O glückliche Veränderung!" 01:32
  24. 03 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Aria (Bass): "Schleuß des Janustempels Türen" 04:44
  25. 04 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Recitative (Tenor): "So recht! beglückter Weichselstrom!" 01:44
  26. 05 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Aria (Tenor): "Jede Woge meiner Wellen" 07:17
  27. 06 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Recitative (Alto): "Ich nehm zugleich an deiner Freude teil" 01:09
  28. 07 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Aria (Alto): "Reis, von Habsburgs hohem Stamme" 06:12
  29. 08 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Recitative (Soprano): "Verzeiht, bemooste Häupter starker Ströme" 01:50
  30. 09 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Aria (Soprano): "Hört doch! der sanften Flöten Chor" 03:17
  31. 10 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Recitative (Soprano, Alto, Tenor, Bass): "Ich Muß, ich will gehorsam sein" 01:37
  32. 11 "Schleicht, spielende Wellen, und murmelt gelinde" BWV 206: Chorus: "Die himmlische Vorsicht der ewigen Güte" 03:51
  33. 12 "O holder Tag, erwünschte Zeit" BWV 210 00:54
  34. 13 "O holder Tag, erwünschte Zeit" BWV 210 06:10
  35. 14 "O holder Tag, erwünschte Zeit" BWV 210 01:07
  36. 15 "O holder Tag, erwünschte Zeit" BWV 210 06:19
  37. 16 "O holder Tag, erwünschte Zeit" BWV 210 02:02
  38. 17 "O holder Tag, erwünschte Zeit" BWV 210 04:51
  39. 18 "O holder Tag, erwünschte Zeit" BWV 210 01:36
  40. 19 "O holder Tag, erwünschte Zeit" BWV 210 03:10
  41. 20 "O holder Tag, erwünschte Zeit" BWV 210 01:18
  42. 21 "O holder Tag, erwünschte Zeit" BWV 210 05:13
  43. 01 "Mer hahn en neue Oberkeet" BWV 212: Sinfonia 02:14
  44. 02 "Mer hahn en neue Oberkeet" BWV 212: Aria, Duetto (Soprano, Bass): "Mer hahn en neue Oberkeet" 00:30
  45. 03 "Mer hahn en neue Oberkeet" BWV 212: Recitative (Bass, Soprano): "Nu, Mieke, gib dein Guschel immer her" 00:51
  46. 04 "Mer hahn en neue Oberkeet" BWV 212: Aria (Soprano): "Ach, es schmekt doch gar zu gut" 00:49
  47. 05 "Mer hahn en neue Oberkeet" BWV 212: Recitative (Bass): "Der Herr ist gut: Allein der Schösser" 00:22
  48. 06 "Mer hahn en neue Oberkeet" BWV 212: Aria (Bass): "Ach, Herr Schösser, geht nicht gar zu schlimm" 01:21
  49. 07 "Mer hahn en neue Oberkeet" BWV 212: Recitative (Soprano): "Es bleibt dabei, daß unser Herr der beste sei" 00:22
  50. 08 "Mer hahn en neue Oberkeet" BWV 212: Aria (Soprano): "Unser trefflicher lieber Kammerherr" 01:41

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